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Home / Volume 7, Issue 1 / From Silence to Sound Marks: A Comparative Study Open access · CC BY-NC 4.0
Research Paper Volume 7 Issue 1 01 - 14 January 14, 2025

From Silence to Sound Marks: A Comparative Study

Lead author · Corresponding
Sowbarnika V.
Student at SASTRA University, India
Co-author
Samiha Marium A.
Student at SASTRA University, India
Abstract

Although the notion of sound marks as trademarks has been widely accepted worldwide, the recent trend, however, has been particularly remarkable in the United States, India, and the United Kingdom. The current paper is relevant to a discussion of legal and procedural provisions relating to the registration of sound marks wherein evolving standards on graphical representation and some kind of distinctiveness requirement is emphasized. Although the U.S. has been more liberal in its practice under which sound marks are registerable without stringent graphical restraints, the UK and India keep a higher bar, so to speak, that would otherwise block certain non-conventional trademarks from registration. This debate identifies landmark cases that define sound mark recognition and challenges for applicants-such as distinctiveness and limitations of existing graphical representations. Finally, the paper provides recommendations for improving the process of registration in India, from the use of digital representations to clearer guidelines on the existence of non-musical sounds and better interaction with stakeholders, measures that might make the best out of the potential enabling sound marks to efficiently identify brand signatures, inspiring innovation and competition in the marketplace.

Keywords Sound marks UK USA INDIA
Type
Research Paper
Information
International Journal of Legal Science and Innovation, Volume 7, Issue 1, Page 01 - 14
Creative Commons
CC BY-NC 4.0 This is an Open Access article distributed under the terms of the Creative Commons Attribution–NonCommercial 4.0 International (CC BY-NC 4.0) (https://creativecommons.org/licenses/by-nc/4.0/), which permits remixing, adapting, and building upon the work for non-commercial use, provided the original work is properly cited.
Copyright
Copyright © IJLSI 2026
Disclaimer
The views and opinions expressed in this manuscript are those of the author(s) alone and do not reflect the views, policies, or position of the Journal.

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